Coraline (Dir: Henry Selick)

"Coraline," is a fantastic mix of the traditional and the cutting edge. Utilizing beautiful stop motion animation and presented in 3D, in some theaters, the film offers a time-honored message in a state of the art package. 3D has advanced to the point where it actually serves the story as opposed to being an end unto itself. In the opening credit sequence, we see long, spindly iron fingers above the screen as they construct a button-eyed doll. There is menace in these metallic hands and the three dimensional effect adds to the sense of dread. The hands seem close and capable of reaching out to us. When the characters onscreen stand outside a doorway, the viewers are tempted to lean forward in order to peak into the room. The 3D is effective and enriching.

Coraline (Dakota Fanning), the pre-teen heroine of the film, is moving into an apartment complex in the filled with eccentric neighbors. Her parents both write and leave Coraline feeling alone and neglected. She hates her dad's cooking and misses her old friends. And then she finds a mysterious door in the wall and while playing one evening chases a little mouse through the door and into a mirror universe that looks similar to her own, but seems better. The food is better, the world never boring, and her button-eyed Other Mother and Father give her everything she wants.

The film, based on an excellent novel for children by Neil Gaiman, has a strong message at its heart. "Coraline" posits that hedonism is both empty and dangerous. Also, in order to fully indulge you must become blind to the suffering your pursuits will cause. It's a bit surprising that in a package as cutting edge and fantastic as "Coraline" that we are essentially being presented with a traditional moral warning. The film is not heavy handed, however, and your pre-teens will not quickly pick up on the message. In the context of the film, the message is completely sensible.

The animation on display is excellent, but as the movie showcases its character design and animation set pieces the story loses some momentum. Once Coraline discovers her quest, however, the movie becomes engrossing and tense. In fact, the film's extended climax will likely be too intense for the very young. The voice work is delightful with Terri Hatcher surprising in two roles as Coraline's mother and the film's villain. She is obviously enjoying the role and it enriches the entire experience. Also listen for a cameo by John Linnell of "They Might Be Giants."

The artistry on display is delightful and the film offers a unique animated experience. Go see this one soon, but leave those under five at home.